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In this volume that is part of a compilation they have made (15 CDs) there are some hits of Van Van in their first two decades.
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(Eddy K, Candyman..)
This CD is a compilation of the fusion of new rhythms interpreted by well-known exponents of Cuban music and especially of reggae in the island.
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“Arsenal” Buena Fe
On this sophomore album Buena Fe speaks about social, sport, ecological, and love issues always from the national and popular viewpoints, fairly without the hint of vulgarities or foul language. | |
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"Marginales.com" Aceituna sin hueso
It’s the talent that comes from simplicity to entreat the ancient essence into the everyday life of our times something which allows Aceituna sin Hueso to take from multiple musical sources without the commitment to reproduce. | |
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“Sabe lo que te digo” Wena Onda
Group Wena Onda has succeeded in fusing different Cuban, Caribbean, and Latin rhythms using the most sophisticated contemporary technology as well as including alternative sonorities. At the same time achieving, without losing quality. | |
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“Havana a flor de piel” Síntesis
Síntesis it's one of the most recognized and popular bands in the present panorama of Cuban music. It is distinguished for its unique style in the integration of ancestral and contemporary sources of Cuban popular music. | |
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"Déjame entrar" Buena Fe
First album of the group Buena Fe, an invitation to think about the problems of contemporary man, with a wide repertoire ranging from Son, Guaracha even Reggae and the fusion of Flamenco rhythms going through pop rock and ballad. | |
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“Soy Cubano, soy Popular” David Calzado and Charanga Habanera
Once more David Calzado, director of Charanga Habanera has discovered the key to success. But the most interesting issue is that the music made by Charanga Habanera is never the same and the result is always the same. | |
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“Tierra Brava” Frank Fernández
Frank Fernández is a leading figure in modern concert music in the Island. Since 1998 until the present is the only Cuban pianist catalogued as Steinway Artist, designation granted only to great talents in the interpretation of the universal instrumental. | |
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“Son demasiado” David Álvarez and Juego de Manos
Qualified by specialized critic as one of the most prominent bands in the Island for its quality and professionalism, David Álvarez and Juego de Manos are, since its foundation in year 1994, the aesthetic and artistic result of a group of talented musicians. | |
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"Soy Cubanito" Cubanito 20.02
Band that cultivates rap, hip-hop, reggae, and ballads mixes all these rhythms respecting our Cuban identity. Well balanced, with great taste, catching songs that are quickly learned by the public Soy Cubanito is a fresh, revealing CD and above all this, very much Cuban. | |
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“Prisionera”Dayani LozanoPop album with strong jazz influence, of the nostalgic and sensual sensitivity of black chants from Afro-North American culture. At present she runs her own band and with more maturity she has managed to integrate that early restlessness to her own cultural roots and the contemporary sonority of pop. | |
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“Lo tengo to pensao” William Vivanco
A proposal that inherits the legacy of New Ballad, but opens itself to other influences according to the transnational characters that our music has acquired in the work of younger generations of singers and composers. | |
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“¿Qué le pasa a mi negra?” Chispa y los Cómplices
Chispa y los cómplices, “¿Qué le pasa a mi negra?”, the second album of the orchestra. The mix of traditional Cuban rhythms with Jazz, Funk, Soul and Rap give the group their own special style. | |
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